Rootie Tootie, 2020
11h x 9.75w in
10.25h x 10.50w in
Morning Air, 2020
11.45h x 7w in
From Granite to Grass, 2020
11.45h x 7.25w in
That'll Do, 2020
12.20h x 8w in
Short Story, 2020
10.25h x 10w in
Hilly's Song, 2020
12.20h x 9.50w in
13.75h x 18w in
Shaping Silence, 2020
13.25h x 17.50w in
Ken Eastman was born in 1960. He studied at Edinburgh College of Art (1979-83) and at the Royal College of Art, London (1984-87). He exhibits widely and has won numerous awards in the field of the ceramic arts, including the ‘Premio Faenza’, Italy in 1995, the ‘Gold Medal’ at the 1st World Ceramic Biennale, 2001, Korea and ‘Bronze Medal’ at the 5th World Ceramic Biennale, 2009, Korea, the ‘Primer Premio’ at the 8thInternacional Biennal de Ceramica de Marratxi, Majorca, Spain in 2016 and the Primer Premio at the 8thInternacional Bienal de Ceramica, Talavera de la Reina, Spain in 2017.
Eastman’s work centres around the idea of the vessel. He uses the vessel as a subject- to give meaning and form to an expression. Working through the medium of ceramics, Eastman can be both builder and painter; can handle shape and structure, as well as exploring tone and colour.
These latest multi-faceted pots were made from numerous slabs of clay, shaped and assembled in a spontaneous and intuitive way. This process meant that the forms couldn’t be planned beyond loose ideas about scale, proportion and complexity. Initially slabs of white stoneware were rolled out by hand with a wooden rolling pin and then shaped over found objects and formers. Through this process, each piece of work became the sum of innumerable small decisions, choices and actions- being built up gradually by addition, so that each piece came into focus slowly. In this way, Eastman was able to concentrate on how each element met and related to its neighbour and how it contributed to the whole. The final works are sharply defined, each has a clear drawn ground plan, smooth walls and definite edges. Once fired everything is changed and a new life is sought through the application of layer upon layer of painted coloured slips and oxides, refining and developing the surface.
Eastman’s work is held in leading international public collections including the Victoria & Albert Museum, London; The Shigaraki Ceramic Cultural Park, Japan; The Powerhouse Museum, Sydney, Australia; The Museum of Fine Arts, Houston, USA; The Gardiner Museum, Toronto, Canada; Museum Boijmans van Beuningen, Rotterdam, Netherlands; Landesmuseum, Stuttgart; The Fitzwilliam Museum, Cambridge, UK; Museu de Ceramica de Manises, Valencia, Spain and the Musee des Arts Decoratifs de Montreal, Canada.
1960 Born, Hertfordshire
1979-83 Edinburgh College of Art
BA Hons Degree in Design (Ceramics)
1984-87 Royal College of Art, London
MA Degree in Ceramics
1998-2010 Academic Research Lecturer, Glasgow School of Art
2011-present Associate Lecturer in Design Thinking and Creativity, Open University
1998 Arts Foundation Fellow in Ceramics
2003 Elected member of International Academy of Ceramics
2021 ‘Border Country’, Solo Exhibition, Lucy Lacoste Gallery, Concord, MA USA
2020 ‘Covering ground’, Solo Exhibition, Gallery Marianne Heller, Germany